Three young guys who had in common the love for the rock and reggae/ska - Herbert Vianna, Bi Ribeiro and João Barone - formed the group Paralamas at the beginning of the 80’s inspired by the sonority of groups as The Police, The Beat and The Specials, that used to recycle the rhythms created in Jamaica. Stimulated by the talent and the interest in the rising phenomenon of the Brazilian Rock, soon they had recorded their first LP “Cinema Mudo†(1983) and had become a success with songs such as “Vital e sua Moto†and “Patrulha Noturnaâ€. The second LP “O Passo do Lui†(1984), consolidated the initial pull with the hits “Óculosâ€, “Ska†and “Meu Erroâ€, but it was in the presentation during the Rock in Rio Festival in January 1985, that they were definitely consecrated after their two concerts only for the power of their music, not for any scenic artifice. After having toured throughout Brazil (more than 150 shows), Paralamas made a stop and released the revolutionary “Selvagem†(1986), that gave new routes to the Brazilian Rock 80’s generation. They abandoned the first influences and started to mold a personal sonority recognized and approved by the youth that bought more than 750 thousand copies of the album.
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A novidade veio dar a praia
Na qualidade rara de sereia
Metade o busto de uma deusa maia
Metade um grande rabo de baleia
A novidade era o mximo
Do paradoxo escondido na areia
Alguns a desejar seus beijos de deusa
Outros a desejar seu rabo pra ceia
O mundo to desigual
Tudo to desigual
O, o, o, o...
De um lado esse carnaval
De outro a fome total
O, o, o, o...
E a novidade que seria um sonho
O milagre risonho da sereia
Virava um pesadelo to medonho
Ali naquela praia, ali na areia
A novidade era a guerra
Entre o feliz poeta e o esfomeado
Estraalhando uma sereia bonita
Despedaando o sonho pra cada lado
Mundo to desigual...
A Novidade era o mximo...
Mundo to desigual