Three young guys who had in common the love for the rock and reggae/ska - Herbert Vianna, Bi Ribeiro and João Barone - formed the group Paralamas at the beginning of the 80’s inspired by the sonority of groups as The Police, The Beat and The Specials, that used to recycle the rhythms created in Jamaica. Stimulated by the talent and the interest in the rising phenomenon of the Brazilian Rock, soon they had recorded their first LP “Cinema Mudo†(1983) and had become a success with songs such as “Vital e sua Moto†and “Patrulha Noturnaâ€. The second LP “O Passo do Lui†(1984), consolidated the initial pull with the hits “Óculosâ€, “Ska†and “Meu Erroâ€, but it was in the presentation during the Rock in Rio Festival in January 1985, that they were definitely consecrated after their two concerts only for the power of their music, not for any scenic artifice. After having toured throughout Brazil (more than 150 shows), Paralamas made a stop and released the revolutionary “Selvagem†(1986), that gave new routes to the Brazilian Rock 80’s generation. They abandoned the first influences and started to mold a personal sonority recognized and approved by the youth that bought more than 750 thousand copies of the album.
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(Herbert Vianna)
Eu sei, jogos de amor so para se jogar
Ah, por favor, no vem me explicar
O que eu j sei, e o que eu no sei
O nosso jogo no tem regras nem juiz
Voc no sabe quantos planos eu j fiz
Tudo que eu tinha pra perder eu j perdi
O seu exrcito invadindo o meu pas
Se voc lembrar, se quiser jogar
Me liga, me liga
Mas sei que no se pode terminar assim
O jogo segue e nunca chega ao fim
E recomea a cada instante
(a cada instante)
Eu no te peo muita coisa, s uma chance
Pus no meu quarto seu retrato na estante
Quem sabe um dia vou te ter ao meu alcance
Ah, como ia ser bom se voc deixasse